syllabus — ART 229 — Beginning Printmaking

 

 

Intaglio Drypoint (hand printed)
 

overview:
Consider this project as an opportunity to focus on an issue or topic that is important to you. You will address your concept in two ways: with a limited edition set of identical prints AND with a collection of experimental prints/results. You may choose to develop two different ideas for the different sets, or use both methods in a way that supports the development of a single concept or technical development.

 

Both the limited edition and experiments will utilize intaglio drypoint printing techniques.

The creation of a traditional drypoint plate shares characteristics with pen and ink drawing and utilizes similar techniques. For example, tonal values can be created with crosshatching and stippling, and it is possible to achieve incredibly fine and detailed lines.

 

It is also possible to create unique prints on a drypoint plate by manipulating the ink through a number of techniques. This is called monoprinting because the print plate creates one (mono) unique print. These works often feel more painterly.

 

Take time to consider the subject matter and how you want to approach it. What will you need to research to develop your idea? Who do you hope to connect with in your work? Will the tone of your message be serious, humorous, formal, educational, aggressive, ironic, etc? How might the printmaking medium affect the development, interpretation, or delivery of your message? How does the production of multiples play a role in your work?

 

 

There are many options for experimentation both conceptually and throughout the process of printing:

1)    Experiment with your sketch or plan for the work.

2)    Experiment when creating a drypoint plate.
(try sanding the surface or scratching with different tools)

3)    Experiment when applying or removing ink from the plate.
(try leaving ink on the surface of the plate and adding drawings or creating textures)

4)    Experiment when choosing a support for the work.
(printmaking paper, fabric, etc.)

5)    Experiment after the print is created.
(for example intaglio prints pair well with mixed-media like watercolor painting to add color, or can be shaped into sculptural works, or can be viewed or contextualized in new ways)

 

complete or submit the following items for your project grade:



grade criteria for limited edition prints:



grade criteria for second or experimental pieces:

 

 

checklist:

Critique assignment (final submissions of work)

 

resources:
Common printmaking terms & vocabulary

Ink, Paper, Politics: WPA-Era Printmaking from the Needles Collection (download PDF)

Artists who yearn for art that transforms by Lisa Gail Collins (text and PDF)

Ester Hernandez on community leadership and art (3min video)
The Design of Dissent: Socially and Politically Driven Graphics by Milton Glaser (PDF)
Print Liberation by Nick Paparone and Jamie Dillow (book)

DePaul Idea Realization Labs, IRL & IRL2 (virtual/in-person; open to alumni)