syllabus — ART
229 — Beginning Printmaking
Intaglio Drypoint (hand printed)
overview:
Consider
this project as an opportunity to focus on an issue or topic that is important
to you. You will address your concept in two ways: with a limited edition set of identical prints AND with a collection of experimental prints/results.
You may choose to develop two different ideas for the different sets, or use both
methods in a way that supports the development of a single concept or technical
development.
Both
the limited edition and experiments will utilize intaglio drypoint
printing techniques.
The
creation of a traditional drypoint plate shares
characteristics with pen and ink drawing and utilizes similar techniques. For
example, tonal values can be created with crosshatching and stippling, and it
is possible to achieve incredibly fine and detailed lines.
It
is also possible to create unique prints on a drypoint
plate by manipulating the ink through a number of techniques. This is called monoprinting because the print plate creates one (mono)
unique print. These works often feel more painterly.
Take
time to consider the subject matter and how you want to approach it. What will
you need to research to develop your idea? Who do you hope to connect with in your
work? Will the tone of your message be serious, humorous, formal, educational,
aggressive, ironic, etc? How might the printmaking
medium affect the development, interpretation, or delivery of your message? How
does the production of multiples play a role in your work?
There
are many options for experimentation both conceptually and throughout the
process of printing:
1) Experiment
with your sketch or plan for the work.
2) Experiment when
creating a drypoint plate.
(try
sanding the surface or scratching with different tools)
3) Experiment when
applying or removing ink from the plate.
(try
leaving ink on the surface of the plate and adding drawings or creating
textures)
4) Experiment
when choosing a support for the work.
(printmaking
paper, fabric, etc.)
5) Experiment
after the print is created.
(for
example intaglio prints pair well with mixed-media like watercolor painting to
add color, or can be shaped into sculptural works, or can be viewed or
contextualized in new ways)
complete or submit the
following items for your project grade:
- PREP WORK:
Present the concept for your work. (SEE: the Developing
Ideas
assignment)
- IN-PROGRESS WORK:
Photograph / document your work in progress and share it on D2L following
the appropriate procedure (SEE: the In-Progress
Feedback assignment)
- TRADITIONAL LIMITED EDITION:
A
limited edition of IDENTICAL finished and signed prints on quality
printmaking paper or appropriate; minimum of 4 prints. See: Edition
Information PDF
* Either your
traditional edition or experimental set must include layered or
multi-color prints (using at least 2 different plates or plate designs);
minimum of 4 multi-layer prints (all of the traditional edition or at
least 4 of the 8+ experiments).
- EXPERIMENTAL SET:
A collection of tests or experiments that show either a large range of
types of experimentation or a great depth into a certain kind of
experimentation, or an additional take on the concept you explored in your
limited edition; minimum of 8. They may be on any form of support (not
just printmaking paper) and may be signed or unsigned. You may
include drypoint and/or monoprint
and/or items that donÕt fit a particular category, but that experiment
with the concepts, techniques, or materials. Usually students choose to
make different designs for the traditional and experimental prints, but
you may use the same design as long as it requires two unique plates or
plate designs.
* Either
your traditional edition or experimental set must include layered or
multi-color prints (using at least 2 different plates or plate designs);
minimum of 4 multi-layer prints (all of the traditional edition or at
least 4 of the 8+ experiments).
- PRESENT:
Photograph / document your final work and share it on D2L following the
appropriate procedure (SEE: the Critique
assignment)
NOTE: If you feel that your concept for this project
will not be possible within these stated requirements, please talk to me
so we can work out a different set of requirements.
grade criteria for limited edition prints:
- Challenge
of concept, message, or purpose
- Success
of concept, message, or purpose
- Identical
printing (at least 4 prints)
- Effort
exhibited in the initial sketches/pan for your work
- Overall
composition
- Detail
and complexity of your design (ex: contrast of light and dark values,
application of line-work, etc.)
- Skill and
craftsmanship in creating your plates
- Evidence
of 2 plates or plate designs*
* Either your traditional
edition or experimental set must include layered or multi-color prints
(using at least 2 different plates or plate designs); minimum of 4
multi-layer prints (all of the traditional edition or at least 4 of the 8+
experiments).
- Quality
and craftsmanship of printing
- Finished
quality of the work; appropriateness for portfolio or exhibition display
- Appropriate
application of limited edition
process
To
edition, gather your prints and select the prints that look identical
(sometime a little paintbrush or X-acto work can
remove a small blemish). You may choose a few prints to be Artist Proof
images if you want (traditionally 10% of images); Label those as ÒA.P.Ó
and put them aside. Count your remaining prints and the resulting number
is your edition size. You may choose to keep a few Trial Prints / Test Prints
that might even include your notes written on them, but label them ÒT.P.Ó
See: Edition
Information PDF for further information.
Prints are labeled under the image in sharp pencil, left to right: # of print / # in edition, title
(if applicable), signature and date.
grade criteria for second or
experimental pieces:
- Challenge
of concept, message, or purpose as it applies to the work.
- Effort
exhibited in formulating a plan for beginning your experimentation; this
may or may not be sketches.
- Breadth and/or
depth of experimentation. (This could include: use of materials,
multi-layer, mixed-media, color experimentation,
color-mixing, etc. or more conceptually based work.)
- Evidence
of exploration and multiple trials. (If this component is not clear in the
final prints or if the final prints no longer exist, please provide a
statement or other form of documentation.)
- Quality
and craftsmanship as it applies to the work.
- Evidence
of 2 plates or plate designs*
* Either your
traditional edition or experimental set must include layered or
multi-color prints (using at least 2 different plates or plate designs);
minimum of 4 multi-layer prints (all of the traditional edition or at
least 4 of the 8+ experiments).
checklist:
Critique assignment (final
submissions of work)
resources:
Common
printmaking terms &
vocabulary
Ink, Paper, Politics: WPA-Era Printmaking from the
Needles Collection (download PDF)
Artists who yearn for art that transforms by Lisa Gail Collins (text and PDF)
Ester Hernandez on community leadership and art (3min video)
The Design of Dissent: Socially and Politically
Driven Graphics by Milton Glaser (PDF)
Print Liberation by Nick Paparone and Jamie Dillow (book)
DePaul
Idea Realization Labs, IRL & IRL2
(virtual/in-person; open to alumni)